16 YEARS OF FILM LAW 108-10

Our industry
in numbers.

Since 2010, Law No. 108-10 for the Promotion of Film Activity has turned Dominican film into a cultural and productive industry, with measurable impact on jobs, investment, tax revenue and international presence.

KEY INDICATORS AND CUMULATIVE RESULTS

An industry that brings together production, services, training, infrastructure and exhibition.

2011–20251,039

Audiovisual productions shot

Since 2010389+

Dominican films released

2021–2026RD$50,221 M

Validated investments (arts. 34 and 39)

2021–202626,196

Direct jobs

2021–2026764,091

Hotel nights generated

CumulativeRD$4,908 M

Income tax and VAT contributions

CumulativeRD$3,457 M

Spending on transportation

CumulativeRD$2,462 M

Spending on food and beverages

Institutional framework: DGCINE (Dominican Film Office), SIRECINE (film industry registry), FONPROCINE (film promotion fund) and the incentives of articles 34 and 39. M = millions of Dominican pesos.

PRODUCTIONS SHOT BY REGIME

1,039 productions shot between 2011 and 2025.

Source: DGCINE list of productions shot, 2011–2025.

IMPACT ON THE NATIONAL ECONOMY

Every peso spent on filming generates a total impact of about RD$2.30.

2.3×

Estimated economic multiplier: every peso generated by filming produces a total impact of approximately RD$2.30.

87.6%

of production companies' intermediate purchases are made from micro and small businesses.

2022 estimates from the study “Impact of the film sector on the Dominican economy” (2023). Includes direct, indirect and induced effects. The official measurement of GDP share belongs to the Central Bank. The equivalents represent different variables and are not added together.

INTERNATIONAL PRESENCE AND INFRASTRUCTURE

Legal stability underpins the confidence of international productions.

Cumulative60

International projects (art. 39)

CumulativeRD$36,187+ M

Expenses validated by CIPAC (art. 39)

Cumulative76

International co-productions with Dominican locations

In force12

Registered film studios

In force60,500 sq ft

Water tank included in the infrastructure

In force9,302+

Active professionals and companies in SIRECINE

What international studios evaluate

  • Predictability and institutional experience
  • Costs and response times
  • Quality of services
  • Available talent and infrastructure

Challenges to remain competitive

  • Keep costs competitive without sacrificing quality.
  • Streamline procedures and strengthen inter-agency coordination.
  • Expand the supplier base and upgrade infrastructure.
  • Anticipate the technological and operational needs of studios and platforms.
TECHNICAL AND ARTISTIC TALENT

A steady flow of shoots raises the experience of Dominican talent.

2014 – Jun. 2026589

Training activities

2014 – Jun. 202630,910

Training participants

Program108

Participants in “My First Job in Film”

Program43

Shoots that placed program participants

Training connected to demand

UNIBE, PUCMM, INTEC, UNPHU, UASD, Chavón and INFOTEP, among others, make up the academic and technical training offer. Since 2021, the DGCINE has carried out an annual sector survey to align training with production needs.

Featured case

La Canícula

By Rod Llaverías (FONPROCINE Residency 2024). Selected in 2026 for the Tabakalera Film and Audiovisual Lab of the San Sebastián Festival: one of 6 projects chosen from 488 submissions.

Want to start in film? Discover Primer Plano Global, our first-job initiative.

2026 ACTIVITY

Single Filming Permits (PUR) issued.

2026 is a partial period; any comparison should also consider the length, budget and scale of each production. The consolidated 2026 results will be released once the figures are formalized and validated, without including investments that have only been announced. Several international projects are under evaluation, negotiation or planning and remain confidential until officially announced.

2027 PRIORITIES

A reliable production partner, with public-private support from start to finish.

Government interoperability

Consolidate faster, better-coordinated and more predictable processes.

International relations

Strengthen relations with international studios, platforms, producers and agents.

Specialized markets

Expand the Dominican presence at markets and events to attract shoots.

Production services

Help Dominican companies reach international clients.

Specialized training

Promote training and the growth of technical capabilities.

Supplier network

Strengthen and diversify the supplier network.

Promoting the sector

Promote Dominican companies and professionals internationally.

Audiovisual production connects creative talent with hospitality, transportation, food and beverages, construction, technology and professional services. The next stage: consolidating a sustainable, professional and innovative industry that creates greater value for the Dominican Republic.

Sources: DGCINE; study “Impact of the film sector on the Dominican economy” (2023). Compiled in “16 years of the Film Law”, institutional document, September 2026 (ODLC).

LEGAL FRAMEWORK

Law No. 108-10 for the Promotion of Film Activity.

Text of the law published in Official Gazette No. 10580 of August 10, 2010, with the amendments introduced by Laws No. 257-10 (O.G. 10596, November 30, 2010) and No. 82-13 (O.G. 10718, July 1, 2013). Document in Spanish.

Reference document. For legal purposes, consult the Official Gazette and the DGCINE.

PROCESS GUIDE

From idea to wrap: the steps of a production with the DGCINE.

Review, stage by stage, what is submitted during pre-production, shooting and wrap of a film: registrations, permits, Law 108-10 incentives and documentation, with links to official sources. (Guide in Spanish.)

Informational guide by FUNGLODE FILMS. It does not replace official guidance from the DGCINE.

Be part of this industry.

Register as talent, provider or production company, or read the guide to the DGCINE process.